This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers.
BONUS SCREENPLAYS TO READ: You can download five more of the best screenplays to read in each genre in this post. Read as many movie scripts as you can and watch your screenwriting ability soar.
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I read the screenplay to one of my favourite horror movies and one of my recent favourite mvoies, IT (2017). I really would like to read the full screenplay to IT Chapter Two (2019). any chance you guys could find and upload it for me, please?
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The movie's setup scenes have good energy to them. Cruise is well-cast and effective here as an untried lieutenant, the son of a great man, who has to be taught to take his job seriously and live up to his heritage. Demi Moore is attractive and determined as his superior, who tries to teach him.
Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One useful feature of Go Into the Story is its bank of downloadable movie scripts.
The titular Drew has been sharing scripts with curious readers and writers for almost two decades now, and has a vast library from which to choose from. A great benefit of Script-O-Rama is that it holds several drafts of certain movies, an invaluable resource for those who want to see how a Hollywood film evolves in the writing process.
"All Quiet On The Western Front," the classic novel about the horrors of World War I as told by a German soldier, has been retold as a movie by a German director. It's out on Netflix today. And as NPR's Rob Schmitz reports, it's a visually stunning and powerfully acted rebuke of war from a country that lost two world wars. And just to note, this story contains the sound of cinematic gunfire.
Vasarhelyi's films as a director include "Meru" (Oscars Shortlist 2016; Sundance Audience Award 2015); "Incorruptible" (Truer Than Fiction Independent Spirit Award 2016); "Youssou N'Dour: I Bring What I Love" (Oscilloscope, 2009), which premiered at the Telluride and Toronto Film Festivals; "A Normal Life" (Tribeca Film Festival, Best Documentary 2003); and "Touba" (SXSW, Special Jury Prize Best Cinematography 2013). Vasarhelyi has directed a New York Times Op Doc, an episode for Netflix's nonfiction design series "Abstract" and two episodes for ESPN's new nonfiction series "Enhanced." She has received grants from the Sundance Institute, the Ford Foundation, the Rockefeller Brothers Fund, Bertha Britdoc, the William and Mary Greve Foundation and the National Endowment of the Arts. She is a member of the DGA as well as AMPAS. She holds a B.A. in comparative literature from Princeton University and lives in New York City.
Evan Hayes is the Head of Production & Development at the Emmy award-wining production company ACE Content, where he is also a Partner. Hayes developed and produced FREE SOLO alongside co-directors Elizabeth Chai Vasarhelyi and Jimmy Chin. During the production of FREE SOLO, he served as President of Production at Parkes+MacDonald/Image Nation where he supervised all aspects of production, finance and creative development in both film & television. Hayes also oversaw Parkes+MacDonald's discretionary development fund as well as strategic partnerships with Image Nation Abu Dhabi, Universal Television and Studio Canal, among others. During his tenure at Parkes+MacDonald the company produced and/or financed such films as James Ponsoldt's "The Circle" starring Tom Hanks, Emma Watson, and John Boyega; Davis Guggenheim's "He Named Me Malala" for Fox Searchlight; and "Rings" for Paramount Pictures.
It was "He Named Me Malala" that caught the eye of directors Elizabeth Chai Vasarhelyi and Jimmy Chin, who reached out to Dill to produce FREE SOLO. A non-climber with a well-known fear of heights, Dill decidedly came quickly on board. She was on the ground from day one overseeing every aspect of production for over two years of often logistically and emotionally challenging filmmaking.
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The Good Witch franchise has spanned six follow-up movies in the series and become so popular that it also led to the long-running television show, as well as a few holiday specials. The TV series itself ran for seven seasons, starting in 2015 and ending in 2021.
Directed by Craig Pryce and created by Rod Spence, the Good Witch movie series stars Catherine Bell, Chris Potter, Catherine Disher, Peter MacNeill, Matthew Knight, and Hannah Endicott-Douglas in important recurring roles. Some of the other cast members reprise their roles for the sequels as well, with the addition of new characters.
The Netflix app for iOS supports AirPlay, a proprietary protocol stack developed by Apple, which allows wireless streaming between devices of multimedia content. This means that you can stream Netflix movies and shows from your iOS devices to any AirPlay-enabled devices over local Wi-Fi. And because the app also supports offline downloads, you have everything you need to enjoy Netflix offline on your Mac. Well, almost everything. You also need an app like AirServer so you can receive AirPlay streams on your Mac.
YouTube launched a paid streaming subscription service, YouTube Red, in 2015, giving subscribers access to ad-free content and exclusive movies and shows. The service currently has around two million users, and it has already given us many original films, documents, and series.
During interviews conducted for the 30th anniversary of this film, Karen Allen revealed some interesting trivia about her nude scene. John Landis wanted her to bare her bottom in the film, and she was very reluctant to do so. Donald Sutherland stepped in and offered to bare his as well. Allen said, "I thought he was so sweet to do that, so I sort of let go of my objections and said, 'Okay, if Donald Sutherland is going to bare his bottom, by golly, I'll bare mine too!'"
When looking for colleges to film at, the script was sent to over 250 schools. It was unanimously rejected because they all felt it was too raunchy. The President of the University of Oregon only allowed this movie to be filmed on that campus because he decided he did not know how to read screenplays. In 1967, he had received the screenplay for a movie, but had denied it permission to film there. That movie was The Graduate (1967), and he liked that movie so much that he decided he didn't want to miss another opportunity, so he allowed this film to be filmed on the University of Oregon campus. Once the crew showed up, he read the script and quickly regretted his choice. In response, he insisted that the college's name not be listed in the film's credits. But, since then the school is very happy and proud about the film being shot there.
To celebrate the 25th anniversary of the release of this film, a parade was held down Hollywood Boulevard featuring not only cast and crew members, but re-creations of parade floats used in the movie.
John Landis sacrificed his heavy beard, and much of his hair to appear in the film as a cafeteria dishwasher who catches Bluto mooching and tries, unsuccessfully, to stop him. The scene was filmed, but despite his personal sacrifices, Landis eventually also sacrificed the scene. (Photos of both his haircut and the cafeteria sequence appear in the book.)
Universal Pictures turned down Composer Elmer Bernstein's repeated request for additional money to produce a stereophonic soundtrack. This film remains one of Bernstein's few movie scores to be produced originally in mono format.
John Landis had a budget of only $2.5 million, so to cut costs, the movie was shot almost entirely on the University of Oregon campus in Eugene, including the student court scene and scenes in Dean Wormer's office. The only exceptions were the road trip scene and the parade, which was filmed in the nearby town of Cottage Grove.
The movie was set to be filmed at the University of Missouri, until the President of the school read the script and refused permission. It was filmed at and around the University of Oregon in Eugene instead. 2ff7e9595c
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